Carlos Rojas
Professor of Asian and Middle Eastern Studies
Overview
Carlos Rojas is Professor of Chinese Cultural Studies; Gender, Sexuality, and Feminist Studies; and Arts of the Moving Image, and his research focuses on issues of gender and visuality, corporeality and infection, and nationalism and diaspora studies.
Rojas, C. A Unity of Fragments: Fruit Chan and Hong Kong Cinema. Hong Kong University Press, 2017.
Rojas, Carlos, and Ralph A. Litzinger. Ghost Protocol Development and Displacement in Global China. Duke University Press Books, 2016.
Rojas, C., and A. Bachner, editors. The Oxford Handbook of Modern Chinese Literatures. Oxford University Press, 2016.
Ng, K. C. Slow Boat to China and Other Stories. Translated by C. Rojas, Columbia University Press, 2016.
Rojas, C., and A. Bachner, editors. The Oxford Handbook of Modern Chinese Literatures. Oxford University Press, 2016.
Yan, L. Explosion Chronicles by Yan Lianke. Translated by C. Rojas, Grove/Atlantic Press, 2016.
Jia, P. The Lantern Bearer by Jia Pingwa. Translated by C. Rojas, CN Times Books, Inc., 2016.
Rojas, C. Homesickness: Culture, Contagion, and National Transformation in Modern China. Harvard University Press, 2015.
Rojas, C. Luoguan: Zhongguo xiandaixing de fansi 裸觀： 中國現代性的反思. Rye Field, 2015.
Yan, L. The Four Books by Yan Lianke. Translated by C. Rojas, Grove/Atlantic, 2015.
Pages
Rojas, C. “Authorial afterlives and apocrypha in 1990s Chinese fiction.” Rethinking Chinese Popular Culture: Cannibalizations of the Canon, 2008, pp. 262–82.
Rojas, Carlos. “A World Republic of Southern [Sinophone] Letters.” Modern Chinese Literature and Culture, vol. 30, no. 1, FOREIGN LANGUAGE PUBL, Mar. 2018, pp. 42–62.
Rojas, C. “Language, ethnicity, and the politics of literary taxonomy: Ng Kim Chew and Mahua literature.” Pmla, vol. 131, no. 5, Oct. 2016, pp. 1316–27. Scopus, doi:10.1632/pmla.2016.131.5.1316. Full Text